11 Critically Acclaimed AMWF Movies Worth Watching

Yes, Asian men and White women can love on the big screen and make for enlightening cinema. If you frequent art house theaters and film festivals, or simply want a more sophisticated pick for a change, here are 11 critically acclaimed AMWF (Asian Male, White Female) movies you don’t want to miss, in alphabetical order.

The Big Sick (2017)

Technically, “The Big Sick” is a rom-com, complete with an AMWF couple at the center of the story (Kumail Nanjiani, played by himself, and Emily Gardner, played by Zoe Kazan), which is set in Chicago. But the true heart and soul of this film surfaces when the Pakistani American man finds himself in close quarters with her white American parents, with some unexpected and even heartwarming results. Given that “The Big Sick” received an Oscar nod for original screenplay and many singled out Holly Hunter’s performance as worthy of a nomination from the Academy, any savvy filmgoer should have this movie on their watch list.

Columbus (2017)

The romantic indie drama “Columbus,” with the unusual pairing of an Asian man (John Cho) and a white woman (Haley Lu Richardson) in this architectural mecca of Indiana, has delighted audiences and critics alike, leading many to decry its absence at the Academy awards. As I wrote earlier this year about “Columbus”:

Here’s the best part about “Columbus” – it’s a beautiful movie to behold.

Granted, it might not be an obvious choice for those moviegoers who tend to pass on anything that feels a little too “art house.”

But for those people who delight in great cinematography (the shots really are gorgeous), nuanced stories filled with great depth and feeling, and real-to-life characters, this is a joy to watch.

Many top film critics have named “Columbus” one of the best films of 2017, and it currently has a 97 percent fresh rating on Rotten Tomatoes and an 89 on Metacritic.

If you haven’t read it yet, check out my post 4 Reasons the Movie ‘Columbus’ (#StarringJohnCho) Made Me Cheer, Beyond its Romance.

The Crimson Kimono (1959)

How could you not love a 1959 film with such a daring movie poster for its time, not to mention being way ahead of the curve on race? Starring the legendary James Shigeta, one of the first Asian American actors to show his sex appeal in the movies as a romantic lead, “The Crimson Kimono” offers plenty of gripping action and a love triangle with an AMWF twist, at a time when interracial love was still taboo and illegal in many places around the world (including America). Since this film is preserved by the Academy Film Archive — yes, the same Academy behind the Oscars — it should be on the list of every serious film buff, whether you’re into AMWF movies or not.

The Edge of Seventeen (2016)

This American coming-of-age teen flick drew loads of critical acclaim for Hailee Steinfeld’s turn as the protagonist Nadine, turning it into a must-see among AMWF movies. But you should also watch “The Edge of Seventeen” for Hayden Szeto, in his breakout role of Erwin Kim. As I wrote last year for WWAM BAM!

Thank goodness for the new teen movie The Edge of Seventeen, just released in late 2016.

The film features one of the most refreshingly unstereotypical portrayals of an Asian man in a teen movie – the breakout role of Erwin Kim, played by Hayden Szeto.

And surprisingly, The Edge of Seventeen even shares some common ground with, of all movies, Sixteen Candles (Vanity Fair noted “Steinfeld’s character is derivative of Molly Ringwald circa Sixteen Candles”). Who’d have thought?

If you’re hungry for a good teen movie, one with a positive portrayal of an Asian guy, you must see The Edge of Seventeen, featuring Hayden Szeto.

Ae Fond Kiss (2004)

In “Ae Fond Kiss,” cultures collide in the world of AMWF movies when a Pakistani Muslim man and white Irish Catholic woman come together in Glasgow, not long before his arranged marriage to a cousin. The pushback and prejudice from his family and her colleagues will feel like familiar territory to many interracial and intercultural couples. But what makes this story different is that the film shows sympathy to both sides. Plus, there’s strong chemistry between the leads (Atta Yaqub and Eva Birthistle) — and plenty of passion behind closed doors. The film took in numerous awards across Europe, including two at the Berlin International Film Festival and one at the Cesar Awards, and will surely delight anyone looking for a more thoughtful portrayal of the challenges of interracial and intercultural romance.

A Great Wall (1986)

This movie — which tells the story of a Chinese American family visiting relatives in Beijing — enjoyed critical acclaim and was the first American film to be shot in the People’s Republic of China. It also happens to have a rather memorable moment in the history of AMWF movies. As I wrote a few years back:

When Kelvin laid with a white girl on the couch and kissed her in this 1986 movie, some dubbed it the “makeout scene heard ‘round the world” because it was one of the first movies to ever feature an Asian guy and non-Asian girl doing just that. Kelvin brings some serious sex appeal to the scene — his sultry eyes, and even the sensual way in which he pulls at her blouse — despite the fact that they never actually “do it” in the movie. Plus, I love that Kelvin is so alpha, which shatters that despicable “all Asian guys are so emasculated” stereotype.

Whether you’re watching for the groundbreaking cinematography, the exploration of cultural divides or just Kelvin Han Yee, “A Great Wall” is worth it.

Japanese Story (2003)

This quiet romantic drama that sets an AMWF pair — actors Toni Colette and Gotaro Tsunashima — against the backdrop of Australia’s mining country does tug at the emotions (and ilicited a few tears from yours truly). But despite the fact that their love affair is unexpected, it’s also a powerful one that will stay with you long after the credits are over. Given all the Australian awards this film garnered in 2003 — including winning for best film, director, actress and cinematography — any art house movie fan will want to watch “Japanese Story.”

The Lover (1992)

In “The Lover,” a French teenager in Indochina falls into an illicit love affair with an older Chinese man, making it one of the steamiest pairings on this list of AMWF movies. As I wrote a few years back:

My pulse quickens just thinking about Tony Leung in this movie, based on the book by Marguerite Duras. He may not be the hottest looking guy on this list, but he pulls off some of the most orgasmic sex scenes I’ve ever seen in a movie, let alone a movie featuring an Asian man and white woman together. Let’s put it this way — you’ll probably have to pause the movie every time they visit his “bachelor pad” to reach for one of the following: your partner, a cold shower, or a vibrator.

But besides all the sex appeal, the film also received an Oscar nomination for best cinematography and was the seventh-highest grossing film for 1992 in France, where it also earned several Cesar Award nods and won for best music written for a film.

Mao’s Last Dancer (2009)

This inspiring movie based on the memoir of the same name charts the rise of Li Cunxin from a rural impoverished boyhood in China to world-famous ballet dancer in the US. It’s worth seeing just for Chi Cao, who plays Li:

Chi Cao … had me before I even saw the film. Blame it on that photo … where he’s cradling the leg and torso of Amanda Schull (who plays Liz), while studying her with eyes that seem to yearn for more than just perfect point technique. Who wouldn’t want a “private lesson” with him? Chi Cao shows incredible sex appeal, even playing a newcomer to the US who stumbles through his first steps into the world of dating and sex, and shines in some stunning dance sequences that will also have your heart racing.

Plus, “Mao’s Last Dancer” attracted a slew of Australian movie award nominations, including for best film, and won for its original music score. And any serious art house filmgoers will delight in the ballet sequences — they’re just as moving as the story itself, which happens to feature two AMWF romances.

Never Forever (2007)

What happens when a prim white American housewife in New York makes a daring proposal to a Korean immigrant working at the dry cleaners, and unexpectedly falls in love with him? “Never Forever” is quite a sexy affair, with bedroom scenes (and a surprising fantasy) that just might leave you sweating too. But it’s the strong performances by Vera Farmiga, Ha Jung-woo and David McInnis that elevate this emotional romantic drama into something worthy of art house accolades among AMWF movies. It debuted at Sundance and won at the Deauville American Film Festival.

Pushing Hands (1991)

This first feature film from Oscar-winning director Ang Lee probes the cultural spaces that unite and divide an elder Tai Chi teacher and grandfather from Beijing and his son’s family in America, including the white daughter-in-law who doesn’t see eye to eye with him. Any East-West intercultural couple or family will find the cultural clashes in “Pushing Hands” relatable. And under the expert direction of Lee, the film becomes a timeless classic, including among all AMWF movies.

What other critically acclaimed AMWF movies would you recommend for savvy filmgoers?

4 Reasons the Movie ‘Columbus’ (#StarringJohnCho) Made Me Cheer, Beyond its Romance

As everyone settled down on Sunday for an evening of Oscars, not even the red carpet glitz and glamour could distract some of us from the movies and actors that should have been nominated. While women and people of color have made strides this year in the Academy Award nominations, some have noticed the lack of Asian and Latinx actors in the mix and the films they appeared in.

One movie that has inspired some to decry its absence at the Academy Awards this year is “Columbus,” led by the talented veteran actor John Cho (in a role that once again proves his star power – and why he was the focus of the #StarringJohnCho movement) and remarkable newcomer Haley Lu Richardson.

I was thrilled to learn about this movie, and truly enjoyed watching it. But beyond just the fact that this is a romantic indie drama with the unusual pairing of an Asian man and a white woman, here are 4 more things that made me cheer for “Columbus”:

#1: John Cho, an Asian actor, is the romantic lead

A few years ago, the TV show “Selfie” came on the scene – with John Cho in the lead role — and I was raving about it for a very good reason:

Just consider that for a moment – an Asian man as the leading romantic role in an American TV series. When have you ever seen that before? It’s historic! If there’s only one reason you choose to tune in to see Selfie, make it this one.

Well, the excitement sadly didn’t last, as “Selfie” was cancelled after only 13 episodes. Yet Cho’s performance was widely applauded — and it left many of us asking, when will he have the chance to be a romantic lead in the movies?

Enter “Columbus.”

In a world where far too many people still don’t think Asian men are sexy, it’s always a breath of fresh air to see movies that challenge that stereotype in a positive way, such as John Cho’s character in “Columbus.”

#2: “Columbus” subtly handles racial identity

The Korean American identity of Jin, played by John Cho, is something we’re reminded of throughout the film – whether Jin is speaking Korean on the phone, or talking about his translation work in Seoul, or even discussing how funerals are handled in Korean culture. But while this is a part of his identity, it’s not something that provides momentum to the story, nor is it or subverted into stereotypes either. Instead, we’re presented with this man named Jin who happens to be Korean American (and is presented very authentically throughout the story), yet Jin is also given room to be a complex individual, sharing thoughts and emotions that make for great drama.

This is, in fact, one of the things that John Cho loved about “Columbus” from the beginning, as he described in an NPR interview:

…race exists very naturally. It’s simply a component of this person’s identity, and it doesn’t drive the narrative. But neither is it ignored. And it’s – I think it’s a very difficult balance to achieve, and it requires a deft touch.

#3: John Cho and Haley Lu Richardson have great onscreen chemistry

When I was watching “Columbus” a second time around and taking notes (yep, I’m a movie nerd), I couldn’t help noticing that many of the moments that touched me most happened when John Cho and Haley Lu Richardson were onscreen. Like when Jin asks her, regarding the piece of modern architecture, “Tell me about what moves you,” a line that feels a bit flirtatious. Or when the two are laughing over that awkward question from Jin about whether her mom does meth, and that laughter is layered over a certain tension that can happen when you’re inching toward closeness and not entirely certain about it. It’s a delight to watch the two of them, whether they’re just hanging out in the front seat of a car or standing among the pews in the breathtaking interior of a modernist church building.

#4: “Columbus” is an incredible movie, period, and deserves every accolade

Here’s the best part about “Columbus” – it’s a beautiful movie to behold.

Granted, it might not be an obvious choice for those moviegoers who tend to pass on anything that feels a little too “art house.”

But for those people who delight in great cinematography (the shots really are gorgeous), nuanced stories filled with great depth and feeling, and real-to-life characters, this is a joy to watch.

Many top film critics have named “Columbus” one of the best films of 2017, and it currently has a 97 percent fresh rating on Rotten Tomatoes and an 89 on Metacritic.

So while you’re in a hurry to catch up on all the Oscar-nominated (or Oscar-winning) films for 2017, be sure to take a moment and see “Columbus” (which you can now watch on Amazon).

Have you seen “Columbus” yet? What do you think of the movie?